Beat · 140 BPM · F minor
Night Bus
Moody trap with a sliding 808, glassy keys and room for a hook.
From
Choose a licence£25
Producer & recording studio · Birmingham
Tenfold Studio
Beats, mixing, mastering and studio time with producer Jay Ocampo in Digbeth, Birmingham.
Hear the beats01Shop
Beats
Press play to preview. Choose a licence when you buy.
Beat · 92 BPM · D major
Golden Hour
Warm R&B with live bass and a lazy swing. Made for a slow-burning vocal.
From
Choose a licence£25
Beat · 90 BPM · C# minor
Southside
UK hip hop with a dusty chopped soul sample, hard boom bap drums and space for two verses.
From
Choose a licence£25
Beat · 104 BPM · A minor
Afterparty
Bouncy Afrobeats with bright guitar and percussion that never sits still.
From
Choose a licence£25
02Prices
Mixing & mastering
Send your stems; get a release-ready track back.
Master
For a track that’s already mixed.
- Ready in 3 working days
- Streaming and club versions
- 2 rounds of changes
£45 per song
Send your trackRecommended
Mix & master
The full treatment for one song.
- Up to 48 stems
- Vocal tuning and editing
- Ready in 5 working days
- 3 rounds of changes
£140 per song
Send your trackEP bundle
Mix and master up to five songs.
- A consistent sound across the EP
- Vocal tuning and editing
- Ready in 2 weeks
03Book
Book studio time
£35 an hour with an engineer, from two hours.
Studio session with engineer
- 2 hrs – 8 hrs
- Digbeth, Birmingham, UK
Record in the vocal booth with Jay engineering. Includes the room, the microphones and a rough mix of the day’s takes. Minimum two hours.
From
Choose a time£35an hour
04Portfolio
Recent credits
“Low Season” EP · mixed and mastered
Five-track R&B EP for a Birmingham singer, played on regional radio.
Enquire about this“Southside” · produced, recorded and mixed
Drill single for a local rapper: from beat to master in one week.
Enquire about thisDebut album · recorded at Tenfold
Twelve songs tracked over six weekends in the studio.
Enquire about this05Music
Hear the work
Tap a track to play it. The last two are the same 30 seconds of Low Season, before and after the mix.
4 tracks
- Low Season · mixed and mastered at Tenfold
- Let ’Em See · produced and mixed at Tenfold
- Before: the demo as it came in
- After: the Tenfold mix
06Reviews
What artists say
Example reviews on a demonstration website.
★★★★★
Jay heard what the song needed before I could explain it. The mix finally sounds like the record in my head.
★★★★★
Leased Night Bus, booked two hours to record and had a finished single the same month.
★★★★★
The best-sounding booth in Birmingham for the price. Comfortable, quick and no ego.
07About
About Jay
Jay Ocampo has produced and mixed for independent artists in Birmingham since 2015. Tenfold is the room he always wanted to record in: warm, relaxed and set up so you can be creative instead of technical.
08Questions
Good to know
How do the beat licences work?
Each lease lets you release a song on the beat within its limits. Exclusive rights take the beat off sale for everyone else; earlier leases stay valid.
Can I hear the full beat first?
The preview plays a tagged section. Message me for the full tagged version before you buy.
What should I send for mixing?
WAV stems at 24-bit, all starting at the same point, plus a rough mix and a reference track you like.
Can I bring my own engineer?
Yes. Dry hire (the room without an engineer) is £25 an hour. Ask before booking.
Where is the studio?
In Digbeth, ten minutes’ walk from Birmingham city centre, with parking on the street after 6pm.
Can I book or pay through this example?
This is a fictional business on Shovva. Try every step to see how it works: nothing is booked, charged or sent.
How long will it take, and what files will I get back?
A master takes 3 working days, a mix and master 5, and an EP about two weeks. You get high-quality WAV files, plus streaming and club versions, an MP3 to share, and an instrumental if you ask.
What do you need from me, and in what format?
For mastering, one stereo WAV of your mix with a little headroom and no limiter on it. For mixing, your stems as above. Either way, add a note on the sound you want and when you need it.
Who owns the finished track?
You do. Mixing, mastering and studio time never take a share of your song. If you lease one of my beats, you own your lyrics and vocals, and the lease sets how you can release it.
Will it sound like what’s in my head, and stand up next to tracks I love?
Send a reference track or two and tell me what you love about them. I mix towards that and check yours side by side with them at the same volume before you hear it.
What if I don’t like the first version?
Tell me what’s not right and I’ll change it. Every price includes rounds of changes (two for a master, three for a mix and master), and we keep going until it feels like yours.
Still have questions?Get in touch
09Contact
Send your track
Tell me what you need and I’ll reply with a price and a date.
10Follow
On Instagram
Sessions, snippets and new beats.